Listen to Vladimir Ivanoff
in one of our productions:
Sarband: Vox Feminae (2008)
Vladimir Ivanoff
(artistic director, musicologist, producer, percussion, lutes),
born in Bulgaria, received his doctorate in musicology at the Ludwig-Maximilians-Universität in Munich and studied lute and historical performance practise at the Schola Cantorum Basiliensis and the Musikhochschule, Karlsruhe. Following post-doctoral research projects in Venice and Munich, he began lecturing at various European and American universities and conservatories.
He has published several books, contributes regularly to music journals and encyclopaedias, and lectures at international symposia and conferences.
Ivanoff is founder and musical director of the ensembles 'Sarband', 'Vox', 'Metamorphoses', 'L'Orient Imaginaire' and 'Consortium Monacense' with which he performs in concerts, scenic projects, radio, TV and CD productions
all over Europe, Asia and the U.S.
As a CD producer, composer and arranger he works with numerous artists from widely diverse backgrounds, amongst them: Mystère des Voix Bulgares, Megapolis, Concerto Köln, The King’s Singers, Berlin Philharmonic Orchestra, RIAS Chamber Choir, and Sidi Larbi Cherkaoui.
He directs workshops worldwide for the artistic and career development
of young musicians.
Ivanoff received two Grammy-Award-Nominations in 1994
and two Echo-Klassik-Awards in 2003 and 2006.
In 2007, he was awarded by the Regione Apuglia with the "Premio Mousiké"
for the diffusion of Early Music in the Mediterranean.
In 2008 he received the German World Music Award.
Ivanoff endeavours not only to mediate between the theory and practice
of music but also to illuminate and strengthen the connecting threads
between the Orient and the Occident.
He revives and gives new spirit to the area of Early Music
- not dispensing with musicological scrutiny in the process.

"Before Jordi Savall became famous with it,
Ivanoff was already committed to the vision
that the separation between Orient and Occident
did not make sense in Early Music …”
Stefan Grondelaers, De Standaard (Belgium), 25.05.2010
"With only three instrumentalists and one singer, Vladimir Ivanoff
imaginates a whole sound universe." Martin Wilkening, Berliner Zeitung, 26.04.2010
„Vladimir Ivanoff is a sophisticated cartographer of the exceptional.“
Michael Tschida, Kleine Zeitung (Austria), 31.01.2010
"… overwhelming the Ensemble Sarband around mastermind Vladimir Ivanoff."
Reinhold Reiterer, Kleine Zeitung, Graz, 13.07.2008
"Director Vladimir Ivanoff preserved this evening's narcotic sweetness."
Matthias Wagner, Kronenzeitung, Graz (Austria), 15.07.2007
„ … Ivanoff effortlessly connected on the concert stage what is utopian
on the global stage: that nothing stands between Christians and Jews and Muslims. Except for „and“.“ Michael Tschida, Kronen Zeitung Graz (Austria), 04.06.2006
"Vladimir Ivanoff's strength is to connect different cultures, to build bridges between Orient and Occident. With the «Arabian Passion» … he succeeded that in an outstanding way." Franz Szabo, Salzburger Nachrichten, April 2006
"Vladimir Ivanoff's finely structured frame drum playing gives the whole it's perfection." Frido Hütter, Kleine Zeitung, Graz, 18.07.2005
"There, at the borders of Europe, where our eurocentric sciences and arts stop,
Vladimir Ivanoff just takes off … "
Thomas Muttray-Kraus, Oberbayerisches Volksblatt, 03.02.2001
"Nothing compares to Ivanoff's art of playing the frame drum."
" … Ivanoff crosses borders and thus finds a new music which transfers our dreams about the Orient into a soundscape."
Franzpeter Messmer, Fono Forum 11/2000